Art Critique Assignment

1. Use the following art works below from your textbook. (picture included in attachments)William Hartnett’s A Smoke Backstage on page 9, fig. 1.10.Georgia O’Keeffe’s Jack-in-the-Pulpit No. V on page 15, fig. 1.20.2. Use this critique form to analyse the art work you chose. (see attachment)See help and example below: CRITIQUE SHEET help.doc Student Example.pdf (SEE ATTACHMENTS)
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Your name:
CRITIQUE SHEET
DESCRIPTION
Artist/ Title /Medium
ANALYSIS
Discuss the Formal elements:
Discuss the principles of art:
CRAFTSMANSHIP
HISTORICAL PRECEDENCE
INTERPRETATION
CRITIQUE SHEET
DESCRIPTION
Artist/ Title /Medium
What is depicted in this work? What is the story? Who is it? Where is it? Describe it.
ANALYSIS
Discuss the Formal elements:
line, shape, form, value, texture, space, color.
Discuss the principles of art:
balance, emphasis, harmony, variety, gradation, movement, rhythm, proportion, space.
CRAFTSMANSHIP
HISTORICAL PRECEDENCE
Does this piece recall a previous work?
Does it reflect or reject a traditional treatment of the subject?
Does it contain elements typical of a previous artistic period/style?
INTERPRETATION
What does this work mean to the intended audience?
For whom was this work made? Why was this work made?
What is the artist trying to communicate?
What signs/symbols does the artist employ to communicate this message?
What feelings or emotions does this work elicit? How is this achieved?
Critique Form
Description:
Berthe Morisot. In a Villa at the Seaside. 1874. Oil on canvas.
Berthe Morisot depicts a quiet and relaxed moment shared between a mother and a child at the
seaside.
Analysis:
Morisot uses various techniques to portray a relaxed moment while vacationing. She uses a
public setting, the seaside, as her background; however the foreground of the painting depicts
seclusion. The vertical placement of the free formed woman and child help to create a sense of
depth. The overlapping of the woman’s shape and the size of the child create depth and space.
The juxtaposition of the foreground and the background help to create the illusion of privacy in a
public setting. The contrast between the cool blue green water and the sharp rigid lines of the
veranda give a sense of separation. Our eye level is immediately drawn to the point where the
vertical line of the veranda meets the horizon, focusing our attention on the busy seascape.
Morisot’s use of organic shapes gives the painting a very relaxed and informal feeling, almost
whimsical. Motion is created through the white trim of the woman’s dark skirt, and the parallel
lines in the gauzy white curtain, as well as the white caps of the waves. To create balance, she
places a bowl of bright red apples on the veranda. The bright red of the apples is complementary
to the blue greens of the sea. The vague shapes, the play of light, the organic lines, and her color
choices help to create an informal but striking composition.
Craftsmanship (technique, medium, etc):
Morisot uses a traditional medium of oil on canvas to forever capture a serene moment while
vacationing by the sea. Transcending the traditional, her use of bright colors and quick brush
strokes set her work apart from the customary artists of the time.
Historical Precedence:
Morisot, an impressionist artist, works quickly to capture an ordinary moment shared while on
vacation. Her quick brush strokes and the use of bright colors are in vivid contrast to the somber
colors of traditional artists. Her focus is on a public setting, rather than a historical event.
Interpretation:
In a Villa at the Seaside can be enjoyed by anyone as it depicts a quiet and serene moment while
vacationing. This purpose of the painting was to capture an exact moment in time, precisely how
the artist perceived it. Morisot communicated a relaxed, informal, and serene setting. She did
this through color choice, organic lines, and use of white light.

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